How To Find God Through Percussion

More than one student has commented on my measured reading of A Course in Miracles. They say it’s soothing, or grounding, or helps them slow down; they say the reading is unhurried and steady.  I attribute that to my dance background. I’ve always had a great love of rhythm and percussion. The melody was always secondary to the beat when it came to my enjoyment of music. Back in the days when I first started attending kirtans,* I heard someone say, “God is in the space between the notes.” Another way of putting it is, “God is in the space between the thoughts.”

The ego mind uses “splitting” to keep us unaware of God. (Splitting is a psychological term that means dissociating from what’s real because it is too painful or disturbing to tolerate. A Course in Miracles explains that the ego mind uses this device of splitting and dissociating from God to believe it is autonomous–although that is impossible.)  Along with splitting comes a racing sensation. In yoga they speak of “monkey mind” which is a ceaseless chatter that keeps us unaware of God’s Stillness which is ever-present.

Many spiritual paths teach that the ego is using the past and future to keep us out of the present moment which is where God resides. The ego seduces us with guilt, fear and worry based on past experience (or even without experience– cautionary stories we’ve been told and swallowed) and projects those fears onto the future nimbly bypassing the present.

A Course in Miracles explains that the ego is actually reviewing the past, which is over and never even happened–the past is actually a delusional state of mind. That’s a juicy subject for another day. For now, suffice it to say, speeding up is a ploy for keeping us from our natural Stillness.

We each have an internal rhythm of our own. My Sufi teachers, Puran and Susanna Bair, say the heart is our signature rhythm, akin to our fingerprint–wholly unique to each of us. When we are able to slow down and focus on ourselves internally, we discover our signature rhythm. Once we’ve done this, we can honor our rhythm by connecting our voice and our breath and our movement to our organic flow.

The more we are loyal and true to our own flow, the calmer life gets. Phones and cars and cyberspace can zip and zoom around and we can remain unshaken. This provides the opening to recognize Spirit.

As a yoga teacher, I find this important because it keeps students centered and calm, and keeps the practice balanced as we hold a pose on the right side of the body, and then switch to the left. Many yoga teachers hurry a little and the second side gets short shrift.

Puran Bair taught me to have more impact on the world than the world has on me. He demonstrated the potential in this when he participated in an experiment where he placed his arm in ice while being monitored on medical equipment. Normally the body rejects the arm to save its life. Puran connected with his heart and mindfully sent warmth to his arm–eventually he melted the ice. Pretty impressive. But more important than this sort of feat is the practical application in everyday life of remaining connected with our own internal rhythm so we can be open receptors for God’s Stillness.

Many people believe that God’s Stillness is boring. And that it means doing nothing. But think about it–isn’t music riveting in the moment when all sound stops–just before it kicks in again? Don’t we hold our breath with pleasurable anticipation during that musical pause? Stillness is the Absolute–absolute Peace, Love and Joy … Unified Oneness. As long as we believe we are human, we can choose to apply the wisdom of rhythm to experience the space between the notes.

Musicians might experience this as a unified oneness while they jam. Dancers feel a seamless communion as they dance with a partner, a group, or God Itself, whether the movement is improvisational or choreographed. When doing the Sufi turn (the dance Rumi discovered to heal himself of a broken heart from losing his spiritual teacher, Shams), I feel the Oneness and the Joy of Cosmic Self. Union is natural and reveals itself between the beats–we become One with the Universal Heart.

A Course in Miracles tells me I can change my mind and experience a shift in perception called a “miracle.” One way of making this happen is, like any good percussionist, plugging in to a solid pulse and holding that beat no matter how many other sounds and distractions are around me. I practice this until I can stay the course, hold the rhythm, become constant. In this way I become an open conduit for God’s Rhythm. When that happens, I recognize what I’ve always been–the Source of percussion Itself.

*In Sanskrit, “kirtan” means “to repeat” and is used in devotional services. Live musicians play the harmonium, tamboura and other instruments, and lead chants or mantras (repetition of sacred sounds to facilitate direct connection with God–Om Namah Shivaya is a classic) in a call and response format. Krishna Das is a well-known contemporary Westerner who has embraced this genre, performs regularly, and has recorded many CDs.  ACIM Lesson 183. “I call upon God’s Name and on my own” in the reading below, expresses something similar.

Copyright © 2011 Amy Torres.  All rights reserved worldwide. 

Amy Torres is an established spiritual teacher, as well as a Gestalt psychotherapist, interfaith minister, and yoga instructor. A Course in Miracles is the foundation of all her work.  To contact her, call 212-340-1201 or email: [email protected]